Hi, aside from liking the overall structure, instruments, and theme, I would enjoy hearing more
distinction in tonality between the nice pads/strings, and the solo instruments. This could mean some
EQ and levels adjustments, and maybe some extra saturation and crunch to make the leads jump out.
It also needs to be longer, as it ends where the best parts need to bust out of the coral.
Based on your other songs, you can put together some fine musical expressions.
In your Last Lullaby, for the e-piano, I'd love to hear some mild distortion and then some tremolo,
to be more along the energy level of the guitar solos. The blending of the two is not easy, but you're
doing it very well. Rakarrack multi-effects app is great for such things.
In Babylon, you've got a fine song structure and wah-play, that by it's nature, makes it harder to stay tight with the beat.
It 'felt' like the guitar was lagging by just a hair. Phrasing some quiet time between riffs, lets the listeners
process your skills. Jeff Beck was great at that. The second of the nicely alternating wah tones seemed too tame,
and maybe both parts could be doubled in length, allowing space to more easily differentiate between the parts.
I have a theory, that when a new and different element is added in the middle of a song, it needs to reprised
at least once, to justify it's existance, and provide 'closure'. You added some 'rich thunder',
that could be elaborated on later in the song, and again, your skills make me want to hear longer versions of your songs.
Rick Beato is a genious for helping guitarists and composers, If unfamiliar, I think you would love his myriad and diverse
video collection on youtube, it's always inspirational to me, even when it's way way over my head at times. Which is often.
Hydrogen drum machine is great for creating patterns/beats, adding effects, and creating kits from .wav files
https://www.youtube.com/@RickBeato
Godspeed