42low wrote:
I then can recommend Steinberg Cubase Pro 9. It's great!
Be sure to hold some money behind to also buy the latest fast computer system to run it on.
And be sure to buy a good antivirus protection and backup system. And start saving money for the next new setup to replace your slowing down sys within 2 years (i would say at least about $1000 investment each 1,5 to 2 years?)
I can run a decent orchestral template in REAPER with a ~1000$ computer (and a ram upgrade, for a total of 32GB) from 4 years ago, and I never ran an antivirus, except for the occasional paranoid kaspersky/bitdefender/whatever AVcomparative shows to be good check. How are you going to get a virus if you windows update your system and don't visit sketchy websites, in practice? The occasional global malware crisis doesn't typically affect up to date systems, and usually you also have to do something wrong.
What kind of processor lineup are you thinking about when you say that you can get significantly more performance every two years?
And sure, I spent much more than that on the orchestral libraries themselves, but you cannot use anything else in an orchestral context. The free stuff unfortunately sounds like a parody of the real thing. Not that I'm underestimating the effort of recording a pro-level library, on the contrary that's exactly why a good sampled orchestra costs in the thousands and why the Davids are going to have a pretty hard time against the Golias here.
You are way overstating the cost difference (if there even is one). What kind of requirements does an ardour session with 150 tracks, most of those with effects, have? I suspect it's going to be close to the Cubase you are citing.
42low wrote:backup system
linux, osx, windows, openbsd, redoxOS, you need a backup system anyway. drives fail, raid arrays fail, you rm the wrong folder or dd the wrong drive. If a thief breaks into your studio and steals your stuff what is linux going to do to give you back your data?
rghvdberg wrote:If your music is that dependent on windows
42low wrote:It's no more than a choice.
not really, linux is missing some stuff that is virtually mandatory for a modern studio. whatever your opinion of these tools, where are the melodyne/autotune of linux? where are the hundreds of terabytes of professionally recorded samples (kontakt/ew play/superior drummer)? If you have a piece of audio you cannot record again but is broken in some way, are you going to be able to do as good a job as Izotope RX?
And that's just what you straight up can't replicate. It's not that I *need* kotelnikov, limiter no6 or mequalizer, but they sure are nice to have.
This is just in a commercial situations though. For all the knobs and options in zynaddsubfx, can you really compare it to Serum? Can you really compare any linux synth to serum? I'm sure you can use zynaddsubfx to write neurofunk but I guess it's not going to be as fun as playing with serum.
Luc wrote:I consider these sarcastic comments rude and pointless. Zero contribution to anything at all.
I agree 100%. I love linux and I think the unix way is the right way for audio, but if we can't even agree that we are way behind there is no hope to get ahead.