raboof wrote: I think the effort is about equal (or less) to the effort required to make the combination of Guitar, audio interface, audio-to-MIDI-converter, sequencer, synth and hardware recorder to work together.
If I'm understanding you correctly, I think you are trying to say that MIDI keyboard/USB MIDI interface/PC source will be a whole lot more practical. And I agree, to some extent.
My home studio contains a small Gem keyboard and an enormous M-Audio Keystation Pro 88. Both have MIDI capabilities; the latter even to an intimidating degree.
With the Gem, string, brass and woodwind sections have successfully been reproduced, in the past - using Sibelius as source - and mixed with live instruments. The Gem is also perfectly fine for adding solo trumpet, clarinet, trombone, sax, flute and the like. I have no problem with this methodology: it's the one I have been using most of the time, so far.
However, replicating ukulele/mandolin/tenor banjo/guitar attack & chord flow credibly (i.e. as if it were really live), on a digital piano, has never worked for me.
I believe that recording ukulele/mandolin/tenor banjo/guitar on a computer convincingly can only be done with the genuine article - namely a real ukulele/mandolin/tenor banjo/guitar. And yes, this usually causes a lot of head-scratching. For ukuleles/mandolins/tenor banjos/guitars happen to be staunchly polyphonic. Yet modern USB guitar-to-MIDI converters (including those integrated in Rakarrack and Guitarix) appear to be predominantly monophonic (i.e. only one note at a time accepted). So how to wed instrument with IT?
This is what I'm facing with respect to my electric tenor guitar.
I just discovered tenor banjo samples to die for. I want my electric tenor guitar to sound like those. So with my instrument in my hands and the right software in the CD-ROM, what exactly should go in-between?
You guys are excellent in helping me defining this.
tnob